Macbeth is presented as a mature man of definitely naturalised character, advantageful
in certain fields of activity and enjoying an enviable reputation. We must not conclude,
there, that all his volitions and actions argon predictable; Macbeths character, like any
other mans at a given moment, is what is being made out of potentialities plus
environment, and no one, not even Macbeth himself, can know all his inordinate self-
love whose actions are discovered to be-and no doubt have been for a wide time-
determined originally by an inordinate desire for some blase or mutable good.
Macbeth is actuated in his conduct mainly by an inordinate desire for worldly honors;
his delight lies primarily in buying golden opinions from all sorts of people. But we must
not, therefore, recant him an entirely human complexity of motives. For example, his
fighting in Duncans service is resplendent and courageous, and his evident joy in
it is traceable in art to the natural pleasure which accompanies the explosive expenditure
of prodigious physical energy and the euphory which follows. He also rejoices no
doubt in the success which crowns his efforts in strife - and so on. He may even
conceived of the proper motive which should bring up back of his great deed:
The service and the loyalty I owe,
But while he destroys the kings enemies, such motives work but murkily at best and are
obscured in his consciousness by much vigorous urges. In the main, as we have said, his
nature violently demands rewards: he fights valiantly in clubhouse that he may be reported in
such terms a valours minion and Bellonas bridegroom he values success because it
brings spectacular fame and new titles and royal favor heaped upon him in public. Now
so foresightful as these mutable...
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