Helene learns early that she does not want to be like her spawn in her sexuality. She sees her mystify as a loose woman who exposes her sexuality and is looked at with contempt by others. Helene tells herself that she will never be in such a position:
It was on that train, shuffling toward Cincinnati, that she headstrong to be on guard---always. She wanted to make certain that no man ever looked at her that way. That no midnight eyes or marbled flesh would ever accost her and turn her into gelatin (Morrison 22).
Nel is the female character who lives a aliveness in which sexuality is hidden. genus Sula, on the other hand, takes the opposite road, and lives a life of open sexuality. In the African-American culture as pictured by Morrison, sexuality is a powerful force, although it can be resisted. Nel is the character who ushers the rewards of keep a conservative life, while Sula shows the rewards of living the life of a sexual rebel, doing what she wants to do when she wants to do it. twain characters pay a price for their choices, but Morrison is not decide either character. She is just showing what happens to two chums who choose precise different paths in terms of their sexuality, and what happens to them as a root of their choices.
Kingston, Maxine Hong. The Woman Warrior. New York: Vintage, 1989.
For instanter her thighs were truly empty and dead too, and it was Sula who had taken the life from them and Jude who had smashed her heart and the both of them who left her with no thighs and no heart just her brain raveling forward (Morrison 110-111).
ventional sexuality. As a result, she becomes extoled in the biotic community. But she has lost Jude to her friend Sula because Sula has learned to use her sexuality as a weapon:
Sula spangs far more active sex than Nel, but she has become cynical and jaded as a result of all her sexual draw. Morrison uses Sula to show how the white world tries to reduce all black experience to the level of sexuality.
Sula says that at the center of this prejudiced visualize is the sexuality of the black man:
Don't let your father know what I told you. He denies her. Now that you have started to menstruate, what happened to her could happen to you. Don't chagrin us. You wouldn't like to be forgotten as if you had never been born. The villagers be watchful (Kingston 5).
I want you to tell that hulk, that gorilla-ape, to go away and never bother us again. . . . You think you can employ us away to freaks. . . . I am not red ink to be a slave or a wife. . . . I won't let you turn me into a slave or a wife (Kingston 201).
The main character will turn out to mould off these sexual restrictions which her culture has put upon her. She will try to find a blend of Chinese and American views with respect to sexuality. She does not want to live the sexual life her mother and aunt have lived:
This is Sula's cynical philosophy of sexuality. As for herself, her experience sexual life has not brought her peace. Nel may be discontent in her sexuality, but at least she has the respect of the community to ease her pain. That community binds together against the sexual threat of Sula. Sula is left both unhappy and alone as a result of her sexual liberation. Nel has lived to give pleasur
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