Albert Camus's The Stranger is the baloney of an conveyance ended. Through the course of the book, Meursault, who serves as both the narrator and the adept of the story, travels from disengagement with life sentence - both his own personal story and any sense that human life can level off be meaningful - to a profound appreciation of the event that life is in and of itself good. His family with Marie mirrors, and in many ways influences) this psychological and spiritual journey of his.
Meursault is, for just about of the book, both fundamentally impassive and fundamentally passive: He barely seems to match to the events of his own life or to engage himself in the winsome of internal dialogue
that around of us have on everything from the most trivial to the most profound. Meursault sheds no grief at his mother's death, nor shows any remorse at becoming a murderer. And yet despite this, Marie is attracted to him.
She herself is no " exotic" to life as is Meursault, and by the end of the book, as he is awaiting execution for the murder he has committed, we see that has changed - coming to appraise the value of life with surprising passion. He is transformed in the end by Marie's own engagement with the pleasures of existence and his unfitness to ignore his own mortality.
She seems to have served as a come apart of a surrogate psychoanalyst for Sartre, who contemplated formal analysis at one point but did not pursue this seriously. However, he became fascinated by the meanings of his dreams, and would dictate them to Arlette as soon as he awoke, encouraging her to help him make sense of his life (and his psyche) through an exploration of his subconscious as it (partly) revealed itself to him each night. The relationship had a great deal of the
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