Bernhardt and other turn-of-the-twentieth-century young-bearing(prenominal) performers became leaders of and metaphors for changing sexual practice relations, says UW historiographer Susan Glenn in her smart book Female Spectacle: The theatrical grow of Modern feminism published by Harvard University Press. Bernhardt and her sisters in theater, vaudeville, tuneful reviews and musical frivolity exercised a strong invite on public cognizance in the late nineteenth and too soon 20th centuries and in changing societal concepts of womanhood, Glenn believes. ?Bernhardt was the touchstone, the spectacle of spectacles. She gave women the power to restrict thei...If you ask to get a dependable essay, order it on our website: Orderessay
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