A Dolls House is classified under the second phase of Henrik
Ibsens c atomic number 18er. It was during this period which he made the transition
from fab and historical dramas to courses dealing with social problems.
It was the first in a series investigating the tensions of family life.
Written during the Victorian era, the controversial play featuring a female
protagonist seeking individuality stirred up more than hostility than any of
his other works. In contrast to many dramas of Scandinavia in that time
which depicted the fiber of women as the comforter, helper, and supporter of
man, A Dolls House introduced woman as having her own purposes and
goals. The heroine, Nora Helmer, progresses during the course of the play
eventually to realize that she must discontinue the role of a doll and seek
out her individuality.
David Thomas describes the initial image of Nora as that of a doll
wife who revels in the thought of luxuries that can now be afforded, who
is become with flirtation, and engages in childlike acts of disobedience
(259). This inferior role from which Nora progressed is extremely
important. Ibsen in his A Dolls House depicts the role of women as
subordinate in order to emphasize the need to domesticate their role in society.
Definite characteristics of the womens subordinate role in a
relationship are emphasized through Noras contradicting actions.
Her
infatuation with luxuries such as expensive Christmas gifts contradicts her
resourcefulness in scrounging and buying cheap clothing; her defiance of
Torvald by take in forbidden Macaroons contradicts the submission of her
opinions, including the decision of which dance outfit to wear, to her
husband; and Noras coquettish nature contradicts her devotion to her
husband. These occurrences emphasize the facets of a relationship in
which women play a dependent role: finance, power, and love. Ibsen
attracts...
this is a good outline, swell up written and as theman123 said organized, but i agree, more about Noras dealings with truth
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