Concert of Vivaldi, Mozart, Shuman works conducted by Richard Barrett.

I attended the Conservatory Orchestra design on Friday night, April 4th 2003. The orchestra congregation was made up of about forty-five musicians and was conducted by Richard Barrett.

The concert was held in Brooklyn College Whitman auditorium. The concert vestibule was not full so I chose the seat I liked, in the middle of the hall where I could see the most of the orchestra musicians.

The concert consisted of pieces of great composers: Vivaldi, Mozart and Shumann. I was very excited to come to that concert and have an prospect to listen to the utilisations of famous classical composers and representatives of three musical theater periods: Baroque, Classic and Early Romantic Periods.

The first part of the concert was devoted to Vivaldis spurt Concerto in F Major for ternion Violins. It consisted to three hunting expeditions allegro, Andante, and Allegro. The first and the last movements were fast, live and in ritornello form. They were contend mostly by the whole orchestra. Those movements gave a vivid transmission line to the second movement Andante. That was a very slow movement played by three violins. It was a lyrical and communicative melody played in the minor key.

The next work was a Sinfonia Concertante in E-flat Major composed by Mozart. A Sinfonia concertante featured the juxtaposition of a group of solo instruments with an come with orchestra.



In that case, the solo instruments were the violin and viola. The orchestra consisted of two oboes, two horns, and strings. The work was in three movements, beginning with a grand Allegro maestoso. The central Andante, one of Mozarts greatest slow movements, featured a breathtakingly eloquent dialogue between the solo instruments. The finale fast was a joyous rondo, based upon a sprightly dance.

These were beautiful Mozarts pieces, but I did have a minor niggle. My discernment was...

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