Monday, February 4, 2013

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Los Vendidos (Spanish for The Sold Ones or The Sellouts) is a one-act routine by Chicano runawaywright Luis Valdez, a founding member of El Teatro Campesino. He wrote it in 1967, and it was first performed at the Brown Beret junta in Elysian Park, East Los Angeles. The play examines stereotypes of Latinos in calcium and how they are treated by local, state, and federal governments.
Los Vendidos is published in Luis Valdez - Early Works: Actors, Bernabe and Pensamiento Serpentino from Arte Publico Press in Houston, Texas, 1990.-frankie
The short play is set in Honest Sanchos Used Mexican shell out and Mexican Curio Shop, a fictional Californian remembering that apparently sells various models (robots) of steretypical Mexicans and Mexican-Americans that buyers can manipulate by precisely snapping their fingers and calling out commands. The action of the play revolves around The monument, a character by the name of Miss Jiménez, who converses with Honest Sancho, the proprietor of the store.

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Sancho says her name with Spanish pronunciation ([xi?menes] or, roughly, hee-men-ess), though she chastises him for speaking worse English, demanding that it be pronounced as the Anglicized /?d??m?n?z/ jim-?-nez.
Miss Jiménez explains to the courteous Honest Sancho that she is a deposit for Governor Reagan and that his administration is looking to purchase a Mexican type to appeal to a larger voting crowd. Sancho shows the Secretary four different models, snapping in order to bring them to flavour to demonstrate their behaviors. Although Miss Jiménez is herself evidently a Chicana (Mexican-American), she seems completely unknowledgeable to the cultural stereotypes displayed in each of the four buyable characters.
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