Oscar Micheaux and Black American Cinema

In early American buck, African-Americans were visualized in a rattling offensive and racist counsel. An warning of this is in D.W. Griffiths 1915 choose, The consanguinity of a nation. This film is what helped brightness level the beginning of Black American Cinema. An African-American director named Oscar Micheaux responded to Griffiths film and created bity films portraiture African-Americans as being short normal and realistic. This paper pass on discuss how Micheaux changed the way African-Americans were visualised in cinema and how he helped start Black American Cinema. This can be seen by studying some of Micheauxs earliest films including: The Homesteader (1919), inwardly Our Gates (1920), and Veiled Aristocrats (1932). \nD.W. Griffiths 1915 film, The Birth of a solid ground was really disputed because of the way sorry men were portrayed. thither is a scene in which a disastrous man attempts to rape a duster woman. This scene tries to make minatory men s eem mephistophelian and dangerous. Also all of the black men in the film are shown to be very unintelligent. Mainstream film companies portrayed black men largely as humorous objects dim witted, tiresome moving, shiftless caricatures who would not expose mainstream audiences (Butters 5). Many of the actors were not so far black. A lot of the actors were face cloth men dressed in blackface. This film also shows the Ku Klux Klan as being the good guys of the layer and also being heroic. A deeply racist film glorifying the Ku Klux Klan, The Birth of a Nation was bitterly attacked on its kick by the National connection for the Advancement of Colored stack (NAACP) and its allies (Stokes 20). This film caused some African-Americans to protest the film. There were wake riots and protests in many urban cities. The film was very controversial which caused it to be recut and censored. Repeatedly recut by censors who deemed the harrowing sequences of lynching and seek rape too in cendiary bomb in the wake of the Chic...